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Stanley Kunitz >> back to poet page
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Change

Dissolving in the chemic vat
Of time, man (gristle and fat),
Corrupting on a rock in space
That crumbles, lifts his impermanent face
To watch the stars, his brain locked tight
Against the tall revolving night.
Yet is he neither here nor there
Because tomorrow comes again
Foreshadowed, and the ragged wing
Of yesterday's remembering
Cuts sharply the immediate moon;
Nor is he always; late and soon
Becoming, never being, till
Becoming is a being still.

Here, Now, and Always, man would be
Inviolate eternally:
This is his spirit's trinity.


The Dark and the Fair

A roaring company that festive night;
The beast of dialectic dragged his chains,
Prowling from chair to chair is the smoking light,
While the snow hissed against the windowpanes.

Our politics, our science, and our faith
Were whiskey on the tongue; I, being rent
By the fierce divisions of our time, cried death
And death again, and my own dying meant.

Out of her secret life, the griffin-land
Where ivory empires build their stage she came,
Putting in mine her small impulsive hand,
Five-fingered gift, and the palm not tame.

The moment clanged: beauty and terror danced
Tot he wild vibration of a sister-bell,
Whose unremitting stroke discountenanced
The marvel that the mirrors blazed to tell.

A darker image took this fairer form
Who once, in the purgatory of my pride,
When innocence betrayed me in a room
Of mocking elders, swept handsome to my side,

Until we rose together, arm in arm,
And fled together back into the world.
What brought her now, in the semblance of the warm,
Out of cold spaces, damned by colder blood?

That furied woman did me grievous wrong,
But does it matter much, given our years?
We learn, as the thread plays out, that we belong
Less to what flatters us than to what scars;

So, freshly turning, as the turn condones,
For her I killed the propitiatory bird,
Kissing her down. Peace to her bitter bones,
Who taught me the serpent's word, but yet the word.


The Abduction

Some things I do not profess
to understand, perhaps
not wanting to, including
whatever it was they did
with you or you with them
that timeless summer day
when you stumbled out of the wood,
distracted, with your white blouse torn
and a bloodstain on your skirt.
"Do you believe?" you asked.
Between us, through the years,
we pieced enough together
to make the story real:
how you encountered on the path
a pack of sleek, grey hounds,
trailed by a dumbshow retinue
in leather shrouds; and how
you were led, through leafy ways,
into the presence of a royal stag,
flaming in his chestnut coat,
who kneeled on a swale of moss
before you; and how you were borne
aloft in triumph through the green,
streched on his rack of budding horn,
till suddenly you found yourself alone
in a trampled clearing.

That was a long time ago,
almost another age, but even now,
when I hold you in my arms,
I wonder where you are.
Sometimes I wake to hear
the engines of the night thrumming
outside the east bay window
on the lawn spreading to the rose garden.
You lie beside me in elegant repose,
a hint of transport hovering on your lips,
indifferent to the harsh green flares
that swivel through the room,
searchlights controlled by unseen hands.
Out there is a childhood country,
bleached faces peering in
with coals for eyes.
Our lives are spinning out
from world to world;
the shapes of things
are shifting in the wind.
What do we know
beyond the rapture and the dread?


Touch Me

Summer is late, my heart.
Words plucked out of the air
some forty years ago
When I was wild with love
and torn almost in two
scatter like leaves this night
of whistling wind and rain.
It is my heart that's late,
it is my song that's flown.
Outdoors all afternoon
under a gunmetal sky
staking my garden down,
I kneeled to the crickets trilling
underfoot as if about
to burst from their crusty shells;
and like a child again
marveled to hear so clear
and brave a music pour
from such a small machine.
What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.
One season only,
              and it's done.
So let the battered old willow
thrash against the windowpanes
and the house timbers creak.
Darling, do you remember
the man you married? Touch me,
remind me who I am.

(c) Stanley Kunitz. All rights reserved.
Home   :   ©2001 W. W. Norton & Company